It
was August 1969 the United States had just landed a man on the moon,
500,000 people gather at the Woodstock music festival, the largest
anti war demonstration in American history was held, and the Manson
Family murders seven total strangers. Charles Manson, a psychotic,
and product of the United States prison system, was an anti Hippy
who mesmerized a small group of middle class kids. He manipulated
his followers into wrecking vengeance on the society, which had
always rejected him.
Juxtaposed to these events, and perhaps as a parallel to this backdrop,
there was other unforeseen forces that may have been taking place
in history, which struck deep emotional cords within the culture
of the times. The space race between America and Russia made going
to the moon a matter of national pride. And in diametric opposition
to these seemingly creative forces was a rising dissension among
our youth on college campuses across the country. Anti war demonstrations
and the call to "tune in and drop out," was one of the mantras of
the day and ushered in a new spiritual awakening, facilitated by
drugs, hallucinogens, and gurus, mystics, shaman, and church pastors.
This cultural awakening coincidentally for me also coincided with
our best efforts to put a man on the moon. In peace I might add,
which is a powerful notion if you consider the power of myth and
propaganda in our culture. For the moon is a powerful symbol of
the feminine forces in nature. Man stepping on the moon in peace
would be an alchemical act in ancient times, and in mythical terms,
could symbolize reconciliation between the feminine and masculine
forces of our human nature and in the collective consciousness of
humanity.
I once herd a researcher make a curious remark of an observation
he had made with respect to energetic forces of balance in nature,
which create dynamic opposing forces that can affect human consciousness
on a planetary scale. The idea is that there could be congruence
between the act of physically reaching for the moon and an energetic
rise of creativity, and conscious awareness here on earth.
Now, a funny thing happened on the way to the opera with respect
to landing a man on the moon. The Nixon administration was up in
arms about the fact that television technology of the day would
make receiving a television broadcast signal from the moon an engineering
challenge. This perhaps could have been a propaganda, and mythmakers
gamble far too great to leave to chance. It seems that we were always
in a race with the Russians when it came to any ambitious human
endeavor or achievement and this climate of competition was escalated,
I believe, by the cold war.
Now America, as led by the Nixon administration allegedly wanted
to hedge their bet in respect to the propaganda potential of showing
live, on television an American landing on the moon. The idea perhaps
was to send a television signal from the moon showing an American
making that first step on the lunar surface, and in the name of
the so called free world. But what would happen if we couldn't get
that priceless television signal? This was a chance that President
Nixon didn't want to take according to the testimony of those who
were there. And like the "Stay Puff Marshmallow Man," in the movie
"Ghostbusters," this president fell victim to the need for certainty,
and at any cost. According to new filmed testimony, President Nixon,
Henry Kissinger, Alexander Haig, Donald Rumsfeld, and others, participated
in a plan to hire the film director Stanley Kubrick, to produce
what is referred to in the television industry as interstitial film
footage of mans first moon landing. Perhaps this film footage could
be used for last minute press coverage if needed in an emergency,
or in the event of any unforeseen tragedies, and maybe even to maintain
order during an unexpected extraterrestrial lunar encounter. To
imagine that this story could have really happened, I have to keep
in mind that the CIA controls security for this, an alleged civilian
science project. Press releases and film footage could have been
tampered with and filtered to the public, however unlikely this
may seem. Who knows if or when it happened, but eventually some
of this alleged fake moon film footage could have made its way into
our historical archives if it really existed.
Now, decades later, a program was recently seen on French television,
and featured Henry Kissinger, Alexander Haig, and Donald Rumsfeld
who at the time were part of this, President Nixon's inner circle
of myth makers. They were joined by Christiane Kubrick, the late
wife of Stanley Kubrick, and gave on camera testimony at length
about the Nixon White House secretly hiring her husband, after he
produced the movie 2001: A Space Odyssey. His job, like out of a
scene from the television show "Mission Impossible," was to produce,
under tight security, interstitial, simulated film footage and still
photography of NASA Astronauts, on the moon. It seems reasonable
from public interest, the preponderance of evidence, and Hollywood
propaganda, that something was going on, and has over the years,
come back to haunt the memory of NASA's great historical achievements.
In recent years, many fact filled books and television programs,
and even the movie "Capricorn One," have probed this question of
whether we really went to the moon, with varying degrees of interest
and fan fair. So what was it that started this wave of anti history
regarding NASA's achievements? And who first started the rumors
that fake NASA photographs and film footage existed? If the celebrated
filmmaker, Stanley Kubrick had worked in secret for the United States
government, he kept this secret and his integrity, for the rest
of his life. For me, the notion that we never went to the moon is
more unbelievable than the challenge it self of putting a man in
space.
To help tighten the focus another notch or two on this melting pot
of drama, I will add in one more character to this ever-widening
hall of mirrors and mythological mayhem. One of the first people
to publicly challenge NASA about ambiguities in photographic and
scientific data from the Apollo program is a man by the name of
Bill Kaysing. But what initially inspired Kaysing to invest his
time into investigating this mystery? Speaking on camera, Kaising,
a former NASA Engineer himself, tells a personally revealing story
that I give credence to. He speaks of his compassion for the Vietnam
veterans, who bravely served their country, only to return to a
country and in despair. The consensus among Vietnam veterans according
to Kaysing, was that of dismay at the fact that culture and western
society hadn't changed and that it's as if we never went to the
moon. I can personally sympathize with this perspective from a mythological,
and perhaps even an alchemical standpoint. For we still do live
largely in a male dominant society, and perhaps the masculine energetic
of American politics has yet to reconcile with the feminine forces
of nature, as acted out by NASA Astronauts. However, today creativity
is king and idealism, doubt and the need for certainty is the killer
of the imagination. But this may all just be one person's opinion,
and largely mine. For struggle and strife comes in many colors and
fusions, and those who are the smartest, and the happiest, are often
quiet. As for this story, I believe many things can be explained
from a common well of emotion and creativity. And we all by living
our own lives can affect history in unforeseen ways, and for better
or for worse. And through our creativity, we can all come to know
our need to see the limitless possibilities of any dream, and to
be able to know what is in our hearts and what is real. For me,
I believe we went to the moon, and the other things as President
Kennedy so apply inferred, for in our individual uniqueness, our
love, our pain, and our tears, lay the stories that really matter
in the winds of change, and from the perspective of a creative eye.
© DR.
SOUNDBITE & ETHOS108 2004
All rights
reserved. For use by permission only.